The Glass House, 2018, Acrylic on plexiglass with epoxy, 21 x 13 inches
Painted on the backside of quarter-inch panels of plexiglass, these paintings reference photographs of glass architecture. Three types of transparency are laminated together: the picture plane, transparent media and subject. In many cases, the paint is so thin that the gallery wall is apparent through the painting, as if the wall (and whatever color it is) were its ground. Site, architecture and picture overlap in a transparent chain of reference.
Maria at the Villa Savoye, 2018, Acrylic on plexiglass with epoxy, 12 5/8 x 11 3/8 inches
The PMA, 2018, Acrylic on plexiglass with epoxy, 20 1/2 x 14 1/8 inches
Lucienne and Carina Between Glass Walls, 2018, Acrylic on plexiglass with epoxy, 20 1/2 x 16 inches
Untitled, 2020, 22 x 30 inches, Ink, watercolor and colored pencil on 300 lb. Jack Richeson paper